The Butterfly Affect

The Butterfly Affect is a guided experience to travel through a butterfly’s metamorphosis from egg, caterpillar, chrysalis, to butterfly. It is an invitation for homo sapiens to go inside and contemplate growth within themselves—to emerge transformed and ready to co-create an equitable, survivable, and thrive-able world for life and the eco-systems upon which life depends.

Effect versus Affect

“The butterfly effect theory” posits that a butterfly’s wing beating on one side of the world can cause a tornado on the other side of the world. Small changes can result in large and distant consequences. “Effect” (noun) is the change that has already happened. “Affect” (verb) is the action that causes change now. If climate is the aggregated effect of weather patterns over time, many of us united in action can change the climate. We can reverse global warming. The beatings of your wings and heart through The Butterfly Affect can travel around the world to create a more equitable, survivable, and thrive-able world.

Co-Creators of this Project

This project began with an artistic urge to embody the beauty of a butterfly’s flight. I wrote the following line as an early expression of that urge, “If a dove is the symbol for peace, a butterfly is the symbol for change. Change is inevitable; making it beautiful is a choice.” I created my first puppet/costume out of a yellow bedsheet bought at a thrift store. I sewed on a hood and asked Juliana to paint it as a Western Tiger Swallowtail Butterfly. The magic occurred when I inserted the poles beneath the wings and held them pointing upwards backwards to enable the beating of the wings from back, out to the side, and back again in quick and seemingly effortless succession. Our first public use of these butterflies was at the 2019 Drawdown Learn Conference at the Omega Institute in NY. We have since used them at various climate strikes, performances at our Boulder City Climate Mobilization Action Plan Event, for photo shoots in National Parks and various cities, and in a procession on International Women’s Day to the United Nations building in NYC.

This project has transformed into an immersive performance experience for participants to travel through all four stages of a butterfly’s metamorphosis, from egg, to caterpillar, to chrysalis, to butterfly. In creating the eggs, caterpillars, and chrysalis/hammocks for this “performance,” I enjoy the material pleasure of imaging how to generate and create costumes for each stage to enrich and deepen this experience. I cherish the sharing of all of this with others to continue our collective transformation in art, life, and interspecies co-becoming as a part of the natural world.

Beth Osnes

beth.osnes@colorado.edu

Embodying a butterfly has surprisingly become one of my favorite expressions of self-joy. As a woman of color, I often feel hyper-visible in the spaces I occupy, particularly in nature. When I’m a butterfly puppet, this hypervisbility is transformed into a welcomed, desirable characteristic. I embrace the playfulness of the puppet, and as it expands my physical circumference, I feel a joyous liberation taking up space. The more I puppeteer, the more comfortable and knowledgeable I feel about climate concerns, and I am committed to extending this creative tool to facilitate inclusive eco-activism. It has been incredible experiencing the versatility of these puppets, from the UN Commission on the Status of Women to local climate strikes, to national parks.

Sarah Fahmy is an assistant professor of theatre at Florida State University. She is a decolonial scholartist, the co-founder of the Middle Eastern Theatre focus group at the Association of Theatre in Higher Education, and the author of several interdisciplinary articles, including “Eco-puppetry: playful disruptions for climate agency” in Puppetry

Sarah Fahmy

sf23o@fsu.edu